A full orchestra with the likes of In the City, Going Underground, Start, Eton Rifles and/or a few other Jam/Style Council/solo stompers would surely have been a mismatch made in some kind of experimental, avant garde hell. Such a collaboration could work only with a particular “type” of song. Paul Weller - An Orchestrated Songbook With Jules Buckley & The BBC Symphony Orchestra Paul Weller Decem767 ratings See all 3 formats and editions Streaming Unlimited MP3 9.49 Listen with our Free App Audio CD 15.20 5 Used from 15.42 24 New from 10.49 Buy the CD album for 25.42 and get the MP3 version for FREE. The key here isn’t necessarily the lack of interaction in the room – excitable or not – but the focus and execution of the works in hand. ![]() Due to Covid-19 restrictions it was, of course, a sparsely attended, socially distanced show, filmed/recorded for online and television broadcast (both of which took place in June). More than six months ago, Weller, long-term mucker Steve Cradock and the BBC Symphony Orchestra (conducted by Jules Buckley) gathered in London’s Barbican centre. An Orchestrated Songbook finds the singer/songwriter plucking a number of softer tunes from throughout his career, then turning them over to Jules Buckley to arrange for the BBC Symphony Orchestra. One answer is to do it the way Paul Weller has here. The question remains, however: how does an artist do justice to selections from their back catalogue without the exercise turning into the proverbial dog’s dinner? The mega-names often get it dreadfully, embarrassingly wrong: they shoot for the stars by duetting with equally famous singers and delivering overproduced versions of their best- known songs. What on earth can they do to not only make sense of their sizeable back catalogues but to repackage them, creatively speaking, in a way that doesn’t pander to the lowest common denominator? Credible heritage artists are in a quandary.
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